While I plan to continue writing on this, my personal blog, I was recently brought on to the PopMatters staff to write film reviews and features. My first article for them, a review of Mike Birbiglia’s Don’t Think Twice (2016), was published this morning. You can check it out here if interested.
Mike Birbiglia’s second effort finds the comedian exploring existential crises and selfishness, with results that may not always be pleasing, but are throughly stimulating throughout.
Attending a college in the middle of Bumblef***, Ohio proved problematic when I became a film major. The closest town’s theater was difficult to access without a personal vehicle, but I managed to convince my parents to let me keep the family mini-van on campus sophomore year. When the nearby cinema, which only screened the most widely released projects, didn’t suffice, my friends and I looked elsewhere––one of them happened to be obsessed with stand-up comedian Mike Birbiglia when his debut film, Sleepwalk With Me, was released. We stuffed into my Honda Odyssey, and made the more than 50-mile drive to Columbus. Though a memorable night, I returned six hours later with mixed feelings about the movie––as a 19-year-old, it was difficult to relate to Birbiglia’s middle-aged crises, but I respected the authenticity and relished his dark humor.
Nearly four years later, I consequently approached my screening of his sophomore effort, Don’t Think Twice, with mild anxiety. The film follows six improv artists in New York City, known together as The Commune, who desire to perform on the late-night show Weekend Live (a continuous jab at Saturday Night Live). When one is finally cast, each member suffers through a character-driven crisis, causing the group to fracture and threatening its existence altogether. The film stars Birbiglia himself, as well as Keegan-Michael Key (Keanu, Key and Peele) and Gillian Jacobs (Community, Girls). Chris Gethard, Kate Micucci and Tami Sagher round out the ensemble.